Lambani: How bold Banjara embroidery with cowrie & coins travelled from Bellary to the world 30 stades
Twisted hair locks on either side of cheeks, arms full of ivory and glass bangles, a chain of old coins in the neck (Rupaiya haar), colourful clothes with small shining mirrors and cowrie shells, and fingers adept at embroidering beautiful designs on patches of fabrics – that’s a woman from the Lambani or Banjara tribe, whose members moved to South India from Rajasthan along with the Mughal army in the 16th century and settled in Bijapur district of Karnataka.
Today, Lambani women have put their traditional embroidery craft on the international map by adapting to the changing demands of international fashion.
Their stitches and accessories used in embroidery have remained unchanged for centuries but what has evolved is the use of colours and fabrics.
And the craft has moved beyond clothes to phone covers, bags, pouches, cushion covers and other items.
Centuries-old modern craft
At an early age, Lambani or Lambada mothers start teaching embroidery to their daughters. They use it to make dresses, especially for giving to their daughters on wedding. “I began learning Lambani when I was 12 years old. My mother taught me various stitches and how to do them neatly, without erring,” says artisan Shanta Bai Kallahalli, who won the National Award in 2002 for her Banjara embroidery wall hanging.
Lambani embroidery stands out for use of cowries, mirrors, bold colours and geometric patterns. Pic: SKKK
At 18, she attended a training session at the not-for-profit crafts initiative Sandur Kushala Kendra (SKKK) at Sandur in Karnataka’s Bellary district.
The turning point in her life came when after three months’ training
she attended a workshop conducted by renowned designer Laila Tyabji. “She
taught us how to make our designs more contemporary. She appreciated my work
and encouraged me to create a wall hanging. I worked on it for four months and
it was chosen for the National award.”
Today, 37-year-old Shanta Bai is responsible for quality checks of Lambani embroidery products at SKKK and helps artisans decide the design and colour combinations.
The Lambada tribe of Karnataka are said to be descendants of Europe’s Roma gypsies who migrated through Central Asia and Afghanistan and settled in Rajasthan. It is from there that the Lambanis came to the Deccan in the 16th century and stayed on.
As per the 2011 Census, the Lambani tribe population in
Karnataka, listed as a Scheduled Caste, stood at 12,67,036 (about 12.68 lakh
people).
Lambani women traditionally make embroidered handicrafts from scrap by pulling out thread from old saris and sewing together patches of cloth, which was then embellished with embroidery, mirror work, cowrie shells, beads and coins.
The embroidery of Sandur Lambani, specific to the region, is
known as Kasuthi Kelsa and there are 39 different types of stitches including Bakkya, Maki, Vele, Kilan, Kans, Tera Dora,
Kaudi, Suryakanti Maki, Relo, Pote, Jollya and Gadri.
A saree pallu with Lambani or Lambada embroidery. Pic: Flickr
These stitches over pieces of fabric mostly follow geometric patterns like triangles, rectangles, squares, circles and diagonal lines made by using threads in different colours.
With embellishments, the handicrafts come alive, giving a distinct Banjara character to saris, dupattas, kurtas, mobile phone pouches, wall hangings, cushion covers, purses etc.
Earlier, artisans worked only with cotton and khadi, but now silk is also used. Alongside, the colour palette has broadened from reds, blacks, greens and yellows to include purple, pink, sky blues and other colours.
Nurtured with love, travels around the world
Sandur Lambani embroidery is nurtured at SKKK, which was established in 1984 after a local teacher, Mahalaxmi, brought together a few local Lambani women to work from the thanda (village) of Sushila Nagar. Other influential people, including a member of the erstwhile royal family of Sandur - MY Ghorpade – supported the initiative that led to the setting up of SKKK.
Lambanis are so skilled that they can adapt to any style without losing the essence of their traditional embroidery. Pic: SKKK
“Today, about 500 Lambani artisans work at SKKK,” says
Praveen Nayak, manager. The artisans are paid wages and benefits such as
subsidised ration, bonus, Provident Fund, etc.
“They have adapted to the needs of the customers and of the
times. Their expertise has won national as well as state-level awards,” Praveen
says.
Ila Dhulipala, a faculty and jury member with the National Institute of Fashion and Technology (NIFT) since 1997, some of her students have done projects on Lambani, visited SKKK and documented the art. “Things have changed from both sides, from the consumers’ side and the artisans practising the craft.”
Ila says contemporizing the craft has helped take it to a
wider audience.
“Lambani embroidery has a strong and powerful look, which makes it difficult to translate into something contemporary. Yet, it has reached a wide audience,” she says.
Being strongly geometric, it is used well on cushion covers
and belts, she adds.
The embroidery featured in the London Fashion Week in 2016
and won a host of awards such as Seal of Excellence for Handicrafts Products in
South Asia, 2004 & 2012 by UNESCO-CCI.
The artisans at SKKK are paid wages besides benefits like subsidised ration, bonus, Provident Fund, etc. Pic: SKKK
Lambani embroidery was given the Geographical Indication
(GI) tag in 2010 owing to the unique process behind creating a piece.
“The process of Lambani involves hand spinning, hand weaving, natural dyeing, hand-block printing and then embroidery to make a finished product,” says Praveen.
The prices start from Rs 1,000 and go up to Rs 15,000. And these
products are sold in Mumbai, Goa, Bengaluru, Kolkata and Chennai besides being
exported overseas.
The road ahead
Yet, Ila feels artisans don’t get enough inputs from designers to contemporise the craft further. “There remains a gap,” she says.
The process of Lambani embroidery starts with hand-spinning the yarn. Pic: SKKK
Ila says the Lambanis are so highly skilled that they can adapt to any style without losing the essence of their traditional embroidery.
“The stitches are unique in the way the artisans apply it. What are also unique are the materials they use, both the base fabric and the thread.”
For example, they make a plain, plastic button a unique
design simply by the way they embroider it. They stitch it in such a way that
it will look like a division sign, attached with one dot above and one dot
below. They can make it a pattern.
“Also in the case of chain stitching, you won’t see the base
fabric because it will be covered with embroidery. Their sense of colour is so
strong that even white will be a colour,” Ila explains.
SKKK is taking the craft beyond the Lambada tribe; towards
the end of 2020, SKKK trained 40 Scheduled Tribe women under the mentorship and
training of a master craftsperson, Praveen says.
As new artisans are learning the art, Ila believes some innovations can also be adopted. “Lambani embroidery has a lot of embellishments, for example, even in drawstrings there are cowrie shells or little silver bells. People can come up with necklaces and use those embellishments in bangles. This would be new and different.”
(Sravasti Dattais a Bengaluru-based independent journalist, who writes art, culture and human interest stories).
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